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Three highly eclectic examples of the vast world of chamber music. The classic of classics: F. J. Haydn; such a twentieth-century classic as Janacek, and finally a benchmark of Catalan music of today: Benet Casablancas. By Casablancas, we will hear the well-established Interludios, written over twenty years ago in Vienna, and from Haydn a relative rarity, with one of the adaptations of his symphonies by J. P. Salomon with the flute obligatto. The work by Janacek is very different: composed when he was approaching 70, and without ever having written for string quartet, Janacek minutely follows the adventures of the heroine from Tolstoy’s novel creating one of the paradigms of programmatic chamber music. |